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	<title>Comments on: Correction!</title>
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	<link>http://www.burnsautoparts.com/blog/2007/08/22/correction/</link>
	<description>Leslie Burns-Dell'Acqua writes on the photo business and marketing</description>
	<pubDate>Wed, 07 Jan 2009 18:07:07 +0000</pubDate>
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		<title>By: Bruce DeBoer</title>
		<link>http://www.burnsautoparts.com/blog/2007/08/22/correction/comment-page-1/#comment-18254</link>
		<dc:creator>Bruce DeBoer</dc:creator>
		<pubDate>Wed, 22 Aug 2007 20:54:53 +0000</pubDate>
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		<description>Leslie - I think there was a bottom line understanding in yesterday's post even though I'm sure Mr. Sedlik's appreciated his specific ideas clearified.

My feeling is that - overall - the concept of photography's value as a percentage of media purchases is a good way to illustrate its worth. However, the difficulty, inconvenience and often impossible task of getting accurate media spending figures for a specific project lead photographers away from using them to calculate license fees.  

I appreciated Tim Olive’s method of negotiation when his fees are questioned; once asked to justify costs, then media budgets are a great method for sharpening the pencil – so to speak.</description>
		<content:encoded><![CDATA[<p>Leslie - I think there was a bottom line understanding in yesterday&#8217;s post even though I&#8217;m sure Mr. Sedlik&#8217;s appreciated his specific ideas clearified.</p>
<p>My feeling is that - overall - the concept of photography&#8217;s value as a percentage of media purchases is a good way to illustrate its worth. However, the difficulty, inconvenience and often impossible task of getting accurate media spending figures for a specific project lead photographers away from using them to calculate license fees.  </p>
<p>I appreciated Tim Olive’s method of negotiation when his fees are questioned; once asked to justify costs, then media budgets are a great method for sharpening the pencil – so to speak.</p>
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