Impossible may take a little longer

The subject line is part of one of my favorite quotes (attributed to many people, my personal fave is Billy Holliday): The difficult we do right away; the impossible may take a little longer.

Seems to fit this project: the impossible project to make instant film again.

I think it’s great that people are trying to do this. I love that the passion is there to try. I have only one, very minor, complaint: all the “team” look alike–older middle-aged white men. Where are the women and the people of color? Where are the youth? At least for the younger folk they may never have played with Polaroid and so don’t know the excitement of anticipating the reveal. Too bad.

Still, good luck the the new IM force. Hope they make it happen.

Intersecting realities

I recently wrote a piece for a publication on managing one’s online persona as an important part of marketing. Seems like a natural topic for me, of course, but the (online) publication is for young/new lawyers. I was excited to write this piece, and a little challenged because I knew I needed to be aware of the alternate lexicon of the readers–that is, lawyers don’t have the same baseline understanding of marketing as commercial photographers do. I was doing my usual work, but differently and for a different audience.

Why am I bringing this up? Because it serves as an example of how reaching outside of your traditional circle is not only possible, it’s energizing. My knowledge from my photo-marketing life translates to my new lawyer-to-be life here. The intersection presents new possibilities for me moving forward. Your abilities as a photographer can transfer to a new reality for you as well.

Your existing skills open doors you probably haven’t realized or considered, but you should–new tools and techniques (hello, motion!) and, by extension, markets. Your vision is about the whole you and that has a lot of intersecting points. You have evolved with time and you have a multifaceted reality. Let your work reflect those facets, not be bound up by what you have done but rather show the complexity of the whole you, now and looking forward.

What is important to you?

Last evening I went out to a movie (L’heure d’été) with a photographer-friend. It was a nice way to spend an evening, watching a French film and talking about everything, including shop.

One thing struck me during our conversation–how important finding and getting comfortable with your own definition of success is. My friend is a very successful photographer, but as he spoke he sounded as if, while that was all well and good, he should be more financially successful because of his age, experience, and education. As he sort of put it, if he were in some other business, by his age he’d be looking at buying vacation home somewhere, etc.

It was kind of disconcerting to hear because, as I said, he is quite successful on several levels. But I think he couldn’t accept that for some reason and was pushing for more. Now that may not be a bad thing–as long as it is coming from inside of the person rather than what a person thinks s/he is supposed to be wanting/doing (and in my friend’s case I’m not 100% sure of the origin but I think it’s internal).

By that I mean that it is one thing to set your own goal of (for example) being able to buy a vacation home by a certain age, but it is quite another to set that goal because you think there is something wrong with you if you don’t–that you might be seen as a loser or something.

We each need to look at what we want out of life and prioritize. Those wants and desires have got to come from within, not the external pressures even of our loved ones. You can’t want to achieve X because maybe your spouse thinks you should achieve X, but rather because X is important to you, regardless of the outside world’s opinion(s).

Then, once you have your own priorities, you need to live up to them without shame or rationalization. Maybe your priority conflicts with the desires of someone else. That sucks when it happens, but if you change your path to fit their desires, then you are shooting yourself in the foot. You can’t be you and pursue your creative and/or career and/or life goals if you modify your path for all the external influences you face. It’s hard to be completely honest like that–people will inadvertently get hurt, but as a talented therapist I know once said “There are necessary hurts and you have to let go of the guilt when you have to hurt someone for your own best needs.”

The other side of this coin is that you have to stop judging others’ goals and priorities and/or forcing your will on them. Maybe one of your colleagues doesn’t prioritize making a lot of money but traveling is number one for her/him–don’t judge that, just accept it. And when your wants/desires/priorities come into conflict with someone else’s, don’t get too upset if you can’t make it work out. Maybe you meet a great potential life partner but you want to travel the world for months at a time and s/he wants to raise a family in a suburb. Both are legitimate goals and priorities, but if you try to make that work, one of you will be miserable. Better to be honest and draw your boundaries clearly. Yes, someone might get hurt, but we’re all grown-ups and can deal with it.

By making your own priorities from your own desires and drive, you can find more satisfaction in your work. You know when you are doing the work that takes you another step in the “right” direction. You’ll be able to deal with the clients from hell better and you’ll be able to like the face in the mirror more. So take some time to ask yourself “What is important to me? What do I really want?” then you can figure out how to get there.

Other creative thinking

Lots of people have seen Harlan Ellison’s rant about paying for creative work (here, in case you’ve somehow missed it). Well, yesterday I was surfing about the TV and came in on the middle of a documentary about Mr. Ellison called Dreams with Sharp Teeth (on Sundance–here are some clips). I only saw about the last half, but I have set my DVR to record it when it repeats (Thurs. at 10 AM, at least here on the West Coast). I encourage you to watch it as well.

Ellison is at times a total ass (which he completely cops to) but he is also so very right in many of his ideas about creativity. Not just its valuation and the need to actually pay for all the creative you use (music, words, images, etc.), but also about the creative process itself. Even if you loathe his attitude, there is a lot to be gleaned from this film.

Creatives should expose themselves to other creatives as much as possible, I think. Different disciplines can foster new ways of thinking within your own. And seeing someone with the chutzpah of Mr. Ellison can help all of us to stand up a little taller and fight a little harder–which we all need to do in this creative/business environment.

Art of Photography show

Have you thought about submitting to this? It’s here in San Diego, but gets submissions from all over the world.

If you make it, we could meet! Not that I’m part of the prize, but if you came here for the opening, I’d love to get to know any of you in person. I’m sure we could find a bar someplace…

🙂

Fun and work

Lots of self-employed people are lousy about taking time off, particularly when work is scarce. There is this overwhelming fear that you will miss potential income if you take a couple of days off.

Truth is, you might. Or you might not. Or you will, but you will get MORE out of taking the personal time and reconnecting with your spouse/partner/family/self. Money isn’t everything. But, of course, it is important.

So how to balance the two? The key word is balance. If you are not taking any time for yourself, time off, away from work and cell and email, etc., clearly that is not balance. If you are taking every other day off, I think most people would agree that’s too much the other way.

The French get 30 days off a year, guaranteed. I think that’s great, but probably unreasonable for Americans. How about half that? 15 days. That’s three weeks (5 working days per week). That seems reasonable, especially if you split it up. Take at least one week entirely off a year–that needs to be a non-negotiable written-in-stone company policy. Then take a day off here and there throughout the rest of the year.

You will find that if you stick to this plan, you will be more productive during your working time. And, when you come back from time off, your brain is refreshed so your creative work is better.

Now about the missed gigs–if you miss a call from a client, they will not hate you and never call you again…not unless they are total jerks. You should dump clients who think and treat you that way so that is no loss. The other clients will be there when you get back. Often, the project they called about will still need to be done when you get back, so you haven’t lost anything but the stress of sitting around waiting for the phone to ring! And you can use an impending vacation to connect with your regular clients who might be thinking about working with you–let them know ahead of time that you will be unavailable on certain dates so that they can schedule their shoots appropriately.

Truth is, most of the time you will not lose any work by taking a vacation. And the payoff for your health and creative spirit is of very great value to your business.

Settlement

After making an enormous stink about how Woody Allen had ruined his own image and so their use (without permission) couldn’t have harmed it, American Apparel has agreed to a hefty settlement. $5 million.

What have we learned from this kids? Don’t steal, misappropriate, or assume that something is in the public domain. Also, respect others’ personal images as well as their creative products.